Every flight begins with a fall: Aproximación a la violencia sexual en Juego de tronos
DOI:
https://doi.org/10.7764/cdi.47.1908Palabras clave:
Juego de Tronos, violencia sexual, cultura de la violación, explotaciónResumen
La violencia sexual se ha convertido en el asunto vertebrador de la cuarta ola feminista; por ello, las industrias culturales, los medios de comunicación y las redes sociales son lugares a los que debemos mirar para analizar y discutir esta violencia, ya sea porque reproducen la denominada cultura de la violación o porque se resisten a ella. Este artículo problematiza la representación de la violencia sexual en el texto audiovisual Juego de tronos (HBO, 2011-2019) a partir del estudio de tres episodios clave, en los que son violadas tres protagonistas: Daenerys Targaryen, Cersei Lannister y Sansa Stark. Se ha elegido esta ficción televisiva por su repercusión cultural y por las cifras de audiencia, que la han convertido en una de las series más vista de la historia en América Latina y el resto del mundo. El análisis desde la perspectiva de género permite sostener que, si bien se perciben ciertos cambios desde la primera de las agresiones hasta la última, en todos los casos se elige un enfoque que o erotiza la violencia sexual o se inscribe en un paradigma de idealización del amor romántico, o maltrata a las mujeres como prerrequisito para su empoderamiento. En este sentido, las conclusiones demuestran que la ficción de David Benioff y D. B. Weiss, a diferencia de la obra literaria de R. R. Martin en la que se basa, utiliza la violencia sexual como un recurso narrativo, instrumentalizando la violencia patriarcal con el único objetivo de impactar en la audiencia.
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2021-01-05
Cómo citar
Menéndez Menéndez, M. I. ., & Fernández Morales, M. . (2021). Every flight begins with a fall: Aproximación a la violencia sexual en Juego de tronos. Cuadernos.Info, (47), 211–236. https://doi.org/10.7764/cdi.47.1908
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TEMAS GENERALES
